Preferably fast lenses that are wide open where possible in order to create a separation between your talking head and the background. Shallow depth-of-field (DOF) - Use the biggest sensor you can get.You can also turn it wireless with Teradek’s Orbit PTZ. If you’ll be streaming from a static location, PTZ cameras such as the Sony BRC X1000 and the Panasonic AW UE150 are good options. For Violent Soho’s virtual concert as well as for his CS presents presentation, Dan used his RED Monstro 8K and Canon EOS C500 Mark II.Using a camera that can output a higher quality video will instantly increase your production value. Don’t use webcams or phones as the primary method of streaming - While these are the easiest ways to start going live, they can hurt your quality.
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In our recent CS Presents webinar, Dan goes over the equipment he used and gave tips on how cinematographers can easily go live while also adding a cinematic touch to the look of their streams.ĭan’s tips for adding a cinematic look to your live stream: While Dan’s setup was a cinematic warehouse of gear with multiple cameras, switchers and mics, it doesn’t mean that you need all of Dan’s gear in order to create quality live streams. Dan leveraged his VidiU Go’s bonding capabilities (through Core) that combine the power of wifi, ethernet, and 2 nodes containing sim cards in order to deliver a solid stream for over 2 hours. New to live streaming and faced with the challenges of poor network connections in Australia, Dan used Teradek’s VidiU Go to pull off the stream.
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How can filmmakers translate their existing equipment into something usable for streaming? Filmmaker/producer Dan Graetz took on this challenge when he was asked to turn Violent Soho’s cancelled tour into a high-quality virtual event. Live streaming has taken the world by storm.